THREE CHAIRS & A HAT

 

Don’t get me wrong, I love West End glitz as much as anyone. My infatuation with musical theatre started in earnest at the age of 12, watching Fred & Ginger movies and Busby Berkeley extravaganzas on the TV. A good, old-fashioned, no-expense-spared show can still make my heart beat faster. But when it comes to staging my own work, my passion is for creating stories and situations using only the bare minimum of set, props and costumes, along with maximum imagination.

Just as well, too: my budget doesn’t stretch to anything more. So Three Chairs and a Hat seems a fitting way to describe the small-scale musicals I’ve written and staged, with the help of a massively talented group of performers and backstage magicians.

 

The Three Chairs and a Hat team have so far staged Verity, Daddy’s Girls, and my verse play built around the music of Kurt Weill, Smoke & Mirrors, and in 2019 we introduced MELODY, a one-act musical with a cast of two creating a world of characters. Melody Smart is a cheerful hotel receptionist who wins a singing lesson in the staff raffle—and finds her carefully constructed life unravelling to reveal secrets, passions, and more than a few buttered digestives. MELODY has played in Oxford, Abingdon and Ross-on-Wye.

Due to the theatre closures during the Covid-19 pandemic, our West End debut at the Phoenix Arts Club on is postponed to 2021. If you’ve already booked a ticket, please contact the agency here and they will advise you on their refund policy. The Edinburgh Fringe 2020 has been cancelled. BUT we will be there at the same time and place in 2021—the Space on the Mile (Space 3) from 8 to 12 August. 

And in the meantime … 

Online@theSpaceUK hosted a virtual fringe festival throughout August 2020 of 80-plus video performances. including four contributions from Three Chairs and a Hat. Click the titles to see our videos: 

HAUNTED—a dramatised version of my short story about isolation and obsession. Do you believe in ghosts? Reviews:
‘A strong script and imaginative use of technology make “Haunted” compelling viewing—British Theatre Guide
‘Nia Williams deploys a poetic knack for helping the audience visualise the frantic, whirling colours of her character’s fixations’—Broadway Baby
‘Lyrical in spades … Williams’ presence alone is enough to ensnare viewers’—The Wee Review

THE SINGING LESSON—Guy Brigg and Marilyn Moore as Evangeline Gibson and Melody Smart in an extract from Melody. Can one Zoom singing lesson help Melody rediscover her voice? Directed by Wayne T Brown.

LADY M—Susanne Hodgson is the life coach you ignore at your peril: a 21st-century Lady Macbeth, issuing online advice and confessions. Directed by Alice Evans.
Review:
‘This is a snippet of a future show … and if this trailer is anything to go by … then Lady M certainly promises to deliver’—Broadway Baby

PAMELA DRYSDALE’S LOCKDOWN—Three Chairs performer Jane Hainsworth demonstrates her writing talents for writing in this one-woman comedy of errors about the unintended consequences of Lockdown on a naughty weekend away.
Review:
‘The quirky approach makes going for a walk on the wild side with Pamela worthwhile’—British Theatre Guide